House was a temporary public sculpture by British artist Rachel Whiteread, on a street in Mile End in East London.It was completed on 25 October 1993 and demolished eleven weeks later on 11 January 1994. Carving.
She also edited
Rachel Whitread, The Gran Boathouse, 2010. Installation in Røykenviken, Gran, Norway Rachel Whitread | Detached 11.04.2013 – 25.05.2013 Gagosian Gallery is pleased to present “Detached”, an exhibition of new sculpture by Rachel Whiteread.
Get exclusive access to content from our 1768 First Edition with your subscription. Our editors will review what you’ve submitted and determine whether to revise the article.Whiteread, whose mother was also an artist, grew up in Ilford and Her title calls by name the process of abstracting or distantiating from reality that is an…
Rachel Whiteread was born in London in 1963.
The exhibition Rachel Whiteread is the first comprehensive survey of the artist’s practice, bringing together more than 90 artworks that chart a course from her early career to the present.
Whiteread will exhibit a new series of unique plaster sculptures and 19 drawings and collages in her sixth New York show with Luhring Augustine.
DD: How was the physical process of making ‘House’? So I was really on the front line. British artist Rachel Whiteread’s installation Embankment from 2005 fills an entire exhibition hall with casts made from various sized boxes.
This is reference to death and absence is evident in her 1990 Ether and her 1996 Untitled (Orange Bath) which are castings of the enclosing space surrounding and supporting is a coffin like form, which, in turn, alludes to the practice of casting death masks.,
Emotionally and mentally, I was knackered.
Rachel Whiteread, British artist known for her monumental sculptures that represent what is usually considered to be negative space. It is a one-way process and difficult to correct errors. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. is a casting of the enclosing space surrounding the backs of a library shelf done in plaster.Whiteread creates objects that are redolent of a mirror world of strange traces of human life, the ghosts of our common existence.negative sculptures of domesticity, records of the traces of peoples lives seem to emphasize the fact that the objects they represent are not themselves there, and critics have often regarded her work to be redolent of death and absence. Before the hyped-up art thing. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. Plaster, polystyrene and steel, 31.9 x 29.5 x 9.8 inSomeone once called Whitereads work "Minimalism with a heart" She won the Turner Prize in 1993 and represented Great Britain at the Venice Biennale in 1997. History at your fingertips From overcoming oppression, to breaking rules, to reimagining the world or waging a rebellion, these women of history have a story to tell. Whiteread, whose mother was also an artist, grew up in Ilford and Rachel Whiteread’s US Embassy (Flat pack house) was unveiled in its permanent home at the new American embassy in Nine Elms, London, earlier this year. Concrete.
Casting.
In her breakthrough 1990 work Ghost, Rachel Whiteread created a positive from a negative, making a plaster cast of the interior "void" of a Victorian parlor measuring approximately 9 feet wide, 11 1/2 feet high, and 10 feet deep. The works range in scale from the diminutive to the monumental, from casts of hot-water bottles and toilet paper rolls to doors and windows .
Kathleen Kuiper was Senior Editor, Arts & Culture, Encyclopædia Britannica until 2016.
Rachel Whiteread Rachel Whiteread "House”, 1993 concrete, (destroyed) GORDIAN KNOT UNCANNY FIREBIRD VIXEN WOLVES : Nineteenth-century sculptors referred to the process of bronze casting as life, death, and resurrection as the original live object was destroyed in the casting process and resurrected in …
The work won Whiteread the Turner Prize for best young British artist and the K Foundation art award for the worst British artist in November 1993.
If Walls Could Talk: An Interview with Rachel Whiteread Craig Houser CH: You recently purchased a building that will become your new home and studio, and you've been making your most recent body of work there before you move into the space. Rachel Whiteread: I was physically knackered.
Why is carving the most challenging sculptural method?
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This was pre Damien’s shark, pre Tracey’s bed. Becoming Home.
In Untitled (Hive) I, Rachel Whiteread gives solid form to empty space by using which technique? Which of the following techniques is a subtractive process?
Whiteread has said of this sculpture that she was trying to "mummify the air in the room," hence the title.
Whiteread’s breakthrough piece, Ghost, 1990, is a plaster cast of a living room, modelled on a typical Victorian terraced house, similar to …