This produces a totally different tonal quality on the instrument than someone who is a "downstream" player. If you're not familiar, here is a Jacob's Turn (#'s represent scale degrees, "^" represents "below" the octave: 1, 2, 1, ^7, 1, 3, 5, 7, 8 |(pause) 8, 9, 8, 7, 8, 6, 5, 3, 1.) We all have widely varying embouchures. By using our site, you acknowledge that you have read and understand our Music: Practice & Theory Stack Exchange is a question and answer site for musicians, students, and enthusiasts.
Deeper mouthpieces and larger bores.
Write down what you did / accomplished and keep track. Your range is smaller on the mouthpiece as opposed to the trombone because of back-pressure.
In order to make a sound, your lips need to move. Back in the late sixties they were popular with some of the NYC corps. This minimizes motion and forces you into a set that works for the range you are working with. For others, starting somewhere closer to the center or bottom and bringing that set up or outward to minimize motion is ideal. It only takes a minute to sign up.I've been doing some buzzing exercises on my mouthpiece where I do octave slides from Bb on the second from bottom line of the bass clef, moving up in semitones. Start with a comfortable note in the middle of your range, say, D3 (third line bass clef). One of the key beginning exercises is to play multiple octave scales without removing the mouthpiece from your lips. But Kai was an "upstream" player and a form of Type IV in the Pivot System (mouthpiece low on the embouchure and airstream directed upwards into the mouthpiece).
Profile: Born: May 18, 1922, Aarhus, Denmark Died: May 6, 1983, New York City, New York, USA Famed bebop trombonist who first tasted stardom while playing with Stan Kenton's orchestra in 1946-1947. It is HEAVY mouthpiece! I believe Kai Winding (a suberb solo trombonist) used a Rudy Muck also. gale-force winds. One person may need to have their placement be really low (very little upper lip in the mouthpiece like Kai Winding or trombone shorty) or very high (the opposite, like Joe Alessi), or off center vertically... or it could be fairly centered (like Marshall Gilkes).
I think now that you've brought it to my attention that back pressure is probably the reason why. In 1980 he teamed up with trombonists Kai Winding and Albert Mangelsdorff to form "Trombone Summit." It's really hard to diagnose something like that over the internet. As B. J. I still have my baritone Rudy Muck (#22) from my junior days. Warburton Music Products Google Map 2189 N. US Highway 1 - Titusville, FL 32796 Toll Free in USA: (800) 638-1950 Local and Worldwide: (407) 366-1991 Fax: (208) 246-3410 Sam Burtis has a great book available on exercises you can do to figure out where you need to go to make your particular equipment work. Take a closer look and you’ll see a lot of famous players place the mouthpiece lower on the lip, some right on the red of the upper lip. At the end of 1996, his big band, renamed Refuge West to suit the California location, recorded Space Available. ... Wind & Woodwind Instrument Mouthpieces, Other Wind & Woodwind Instruments, Dukoff Wind & Woodwind Instrument Mouthpieces, Yamaha Wind & Woodwind Instruments, $9.99. Born in Budapest (Hungary) in 1980, Zoltán Kiss was largely self-taught, developing his technique through being inspired by leading trumpet players. His idea of properly is never below middle F (4th line bass clef) However, it's quite an exercise in futility explaining how to properly freebuzz over text.